High School English: British Poetry to 1900 & Dante (Honors)
Recommended for Level 5 Year 2, but appropriate for any student.
The Mater Amabilis English courses are very challenging. If they are done as written (or nearly so), Honors credit may be awarded. Within the Books and Resources, notes have been made of adaptations for students who would prefer a less challenging course.
All previous versions of lesson plans can be found on the Archived Lesson Plans page.
This honors-level English course surveys British literature from 1500-1900 alongside Dante’s Divine Comedy. Students engage with diverse literary forms including poetry, drama, and prose, with study of three Shakespeare plays and selections from major British authors spanning four centuries. Students develop college-level writing proficiency through frequent compositions (2-3 weekly), two formal analytical essays (5-7 pages each), and a substantial research paper (8-10 pages). Technical writing skills are reinforced through systematic grammar instruction via dictation exercises, while analytical thinking is cultivated through both written and oral literary narrations. This challenging honors curriculum develops the close reading and academic writing skills essential for advanced literary study. Literature: Epics: The Divine Comedy may be read in any translation of your choice. You may find it useful to check out different translations of the epics at the library and allow the student to choose the translation that seems most enjoyable and clear. Here are some popular translations, but there are many others. A note on study guides and other resources – The goal is to develop a familiarity with The Divine Comedy because it is a core text of our culture. Students should read the cantos and any accompanying notes and narrate them without worrying too much about the allusions and poetic terms. Students will be able to return to it as adults or be prepared for a college course later in which they can delve more deeply. In this sense, you should not feel it necessary to provide a great number of outside resources or study guides, but if you would like more information, here are a few optional resources. Modification – A student may read only the Inferno or perhaps Inferno and Purgatorio. Drama: Modification – a family may choose instead to watch a live or filmed version of these plays. Recommended adaptations: As You Like It (Globe Theatre) [Globe Player]; Richard III (2012 Globe Theatre Original Practices production) [Globe Player]; Macbeth, Ian McKellen and Judi Dench [Amaz] Studied Dictation (optional at this stage, but recommended for Level 5): Spelling Wisdom Book 5: Study a given passage for 2 days, write on the 3rd day, weekly [Simply Charlotte Mason] Composition: Modification – Assign shorter papers, especially the research paper in term 3. All readings are narrated, orally or in writing. For Honors credit, written narrations should be the norm. The student should be encouraged to keep a commonplace book, in which to write down any striking or memorable passages that stand out in reading. The student should also be encouraged to commit favorite poems to memory, or at least favorite passages from longer poems. Abbreviations: TERM 1 Week 1 Week 2 Week 3 Week 4 Week 5 Week 6 Week 7 Week 8 Week 9 Week 10 Week 11 WEEK 12: DAYS 56-60 MAKEUP/EXAM WEEK Examination questions for exam week TERM 2 Richard III is the Shakespeare play for this term. It might be worth assigning the short novel The Daughter of Time, by Josephine Tey, as a free read for the term as well. Week 13 Week 14 Week 15 Week 16 Week 17 Week 18 Week 19 Week 20 Week 21 Week 22 Week 23 WEEK 24: MAKEUP/EXAM WEEK Examination questions for exam week TERM 3 Note that a research-paper project will begin in Week 30, and be due at the end of Week 35. The student might start looking back over narrations from the whole year at this point, to begin to discern what kind of topic might be of interest (though it could be a topic totally outside the school sphere, and the choice is up to the student, it’s always good to be able to use written narrations as material for a paper if possible). This paper might be longer than last year’s, though this depends on the student’s ability level at this point. A student who wrote 10-12 pages last year might aim for a 15-page project this year, though the basic model is still the structure of the MLA Research Paper Writing Guide. (Note: You may choose to purchase and introduce the Chicago Style Research guide this year.) The student should think in terms of three main sections for the paper, plus introduction and conclusion, but possibly more paragraphs within each section than last year. We will also presume from here on out that the student knows to read the notes to Dante’s Cantos. Week 25 Week 26 Week 27 Week 28 Week 29 Week 30 Week 31 Week 32 Week 33 Week 34 Week 35 WEEK 36: MAKEUP/EXAM WEEK Examination questions for exam week Alternative question: Tell everything you can about Milton’s Paradise Lost.Course Description
Books and Resources
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Lesson plans
Day 1: MP Introduction pp. 6-9, GM “Celtic” pp. xii-xiv and Irish: Midir & Etain pp. 125-129, give dictation
Day 2: Dante, Inferno, Cantos I-II + notes, study dictation
Day 3: As You Like It, Act I, write dictation
Day 4: Dante, Inferno, Cantos III-IV + notes
Day 5: TESS Chapter 1, pp. 3-8
Day 6: MP Queen Elizabeth I, On Monsieur’s Departure, p. 10, GM Death of Conaire Mor I and II pp. 129-132, give dictation
Day 7: Dante, Inferno, Cantos V-VI + notes, study dictation
Day 8: As You Like It, Act II, scenes 1-4, write dictation
Day 9: Dante makeup day
Day 10: TESS Chapter 1, pp. 8-11 (follow instructions for exercise)
Day 11: MP Queen Elizabeth I, Speech to the Troops at Tilbury, p. 11, GM Death of Conaire Mor III pp. 133-136, give dictation
Day 12: Dante, Inferno, Cantos VII-VIII + notes, study dictation
Day 13: As You Like It, Act II, scenes 5-7, write dictation
Day 14: Dante, Inferno, Cantos IX-X + notes
Day 15: TESS Chapter 2: pp. 12-14
Day 16: MP Edmund Spenser, Faerie Queene Canto I, pp. 12-18, GM Voyage of Bran pp. 136-142, give dictation
Day 17: Dante, Inferno, Cantos XI-XII + notes, study dictation
Day 18: As You Like It, Act III, scenes 1-3, write dictation
Day 19: Dante, Inferno, Cantos XIII-XIV + notes
Day 20: TESS Chapter 2, pp. 14-15 (do homework assignment) AND pp. 16-18 (stop at ***)
Day 21: MP Spenser, Faerie Queene Canto I, pp. 19-25, GM Welsh: Pwyll Prince of Dyfed pp. 142-146, give dictation
Day 22: Dante makeup day, study dictation
Day 23: As You Like It, Act III, scenes 4-5, write dictation
Day 24: Dante, Inferno, Cantos XV- XVI + notes
Day 25: TESS Chapter 2, pp. 18-22 (check answers on assignments)
Day 26: MP Christopher Marlowe, The Passionate Shepherd to His Love, p. 27, GM Math I pp. 146-151, give dictation
Day 27: Dante, Inferno, Cantos XVII-XVIII + notes, study dictation
Day 28: As You Like It, Act IV, write dictation
Day 29: Dante, Inferno, Canto XIX-XX + notes
Day 30: TESS Chapter 3, pp. 23-26
Day 31: MP Sir Walter Raleigh, The Nymph’s Reply to the Shepherd, p. 28, GM Math II pp. 150-151, give dictation
Day 32: Dante, Inferno, Cantos XXI-XXII + notes, study dictation
Day 33: As You Like It Act V, scenes 1-2, write dictation
Day 34: Dante makeup day
Day 35: TESS Chapter 3, pp. 27-28 (check answers)
Day 36: MP Sir Walter Raleigh, What Is Our Life?, p. 29 (bonus: As You Came From the Holy Land), GM Math III pp. 151-154, give dictation
Day 37: Dante, Inferno, Cantos XXIII-XXIV + notes, study dictation
Day 38: As You Like It Act V, scenes 3-4, write dictation
Day 39: Dante makeup day
Day 40: Review the Introductory Guide to High School Essay Writing and begin the planning process for an essay of roughly 5 pages on a topic of the student’s choice, preferably based on written narration in some school subject. Due Week 11.
Day 41: The Art of the Sonnet (https://tinyurl.com/artofsonnet), GM Math IV pp. 154-159, give dictation
Day 42: Dante, Inferno, Cantos XXV-XXVI + notes, study dictation
Day 43: Plan/draft 5-page exploratory essay. Write dictation.
Day 44: Dante, Inferno, Cantos XXVII-XXVIII + notes
Day 45: Plan/draft 5-page exploratory essay
Day 46: MP Sir Philip Sidney, Sonnet 31, p. 30, GM “Finnish” pp. xiv-xv & Lemmikainen pp. 161-166, give dictation
Day 47: Dante, Inferno, Cantos XXIX-XXX + notes, study dictation
Day 48: Draft 5-page exploratory essay
Day 49: Dante, Inferno, Cantos XXXI-XXXII + notes
Day 50: Draft 5-page exploratory essay
Day 51: MP Sir Philip Sidney, Sonnet 39, p. 31, GM makeup day, give dictation
Day 52: Dante: Inferno, Cantos XXXIII-XXXIV + notes, study dictation
Day 53: Read paper draft aloud to editorial person, conference and revise, write dictation
Day 54: Dante makeup day, revise paper
Day 55: Finish and turn in 5-page essay.
To be answered as short in-class essays, taking roughly 30-45 minutes each.
The student will choose four of the questions to answer.
Day 61: MP George Peele, A Farewell to Arms, p. 32, GM “Icelandic” pp. xv-xvi & In the Beginning pp. 167-170, give dictation
Day 62: Dante, Purgatorio, Cantos I-II + notes, study dictation
Day 63: Richard III, Act I, write dictation
Day 64: Dante, Puratorio, Cantos III-IV + notes
Day 65: TESS, Chapter 4, pp. 29-32
Day 66: MP Robert Southwell, The Burning Babe, p. 33. For a more complete account of St. Robert’s heroic life and martyrdom, we highly recommend Alice Hogge’s book God’s Secret Agents [Amaz]. GM The Building of the Wall pp. 170-174. Give dictation
Day 67: Dante, Purgatorio, Cantos V-VI + notes, study dictation
Day 68: Richard III, Act II, write dictation
Day 69: Dante, Purgatorio, Cantos VII-VIII + notes
Day 70: TESS Chapter 4, pp. 32-35
Day 71: MP Shakespeare, Sonnets 18 & 29, pp. 34-35, Optional – Poetry for All podcast episode 64: Shakespeare, Sonnet 29. GM Mimir pp. 174-175, give dictation
Day 72: Dante makeup day, study dictation
Day 73: Richard III, Act III, scenes 1-3, write dictation
Day 74: Dante, Purgatorio, Cantos IX-X + notes
Day 75: TESS Chapter 4, pp. 36-40
Day 76: MP Shakespeare, Sonnets 55 & 116, pp. 35-36, GM Baldr pp. 175-182, give dictation
Day 77: Dante, Purgatorio, Cantos XI-XII + notes, study dictation
Day 78: Richard III, Act III, scenes 4-7,write dictation
Day 79: Dante, Purgatorio, Cantos XIII-XIV + notes
Day 80: TESS Chapter 4, pp. 40-50 (check answers for exercise)
Day 81: MP Shakespeare, Sonnet 130, p. 36, Sonnet 73, GM Loki’s Punishment pp. 182-184, give dictation
Day 82: Dante, Purgatorio, Cantos XV-XVI + notes, study dictation
Day 83: Richard III, Act IV, scenes 1-3, write dictation
Day 84: Dante makeup day
Day 85: TESS Chapter 5, pp. 51-53
Day 86: MP King James Bible, pp. 37-39, GM Children of Loki pp. 184-188, give dictation
Day 87: Dante, Purgatorio, Cantos XVII-XVIII + notes, study dictation
Day 88: Richard III, Act IV, scenes 4-5, write dictation
Day 89: Dante, Purgatorio, Cantos XIX-XX
Day 90: TESS Chapter 5, pp. 54-59 (check exercise answers; note: some punctuation is missing in the answer key for this exercise)
Day 91: MP Ben Jonson, Song to Celia; Daughter, Mother, Spouse of God, pp. 40-41, GM Ragna Rok pp. 188-192, give dictation
Day 92: Dante, Purgatorio, Cantos XXI-XXII + notes, study dictation
Day 93: Richard III, Act V, scenes 1-3, write dictation
Day 94: Dante, Purgatorio, Cantos XXIII-XXIV + notes
Day 95: TESS Chapter 5, pp. 60-67 (check worksheet answers)
Day 96: MP Early 17th Century and Puritans, Introduction pp. 44-45, GM “Indian” pp. xvi-xviii & Vedic Heavenly Nymph pp. 193-196, give dictation
Day 97: Dante makeup day, study dictation
Day 98: Richard III, Act V, scenes 4-5, write dictation
Day 99: Dante, Purgatorio, Cantos XXV-XXVI + notes
Day 100: TESS, pp. 68-73
Day 101: MP Aemilia Lanyer, Eve’s Apology in Defense of Women, pp. 46-47, GM Churning of the Ocean pp. 196-198, give dictation
Day 102: Dante, Purgatorio, Cantos XXVII-XXVIII + notes, study dictation
Day 103: Begin planning and drafting a 5-page exploratory essay on any topic, due Week 23, write dictation
Day 104: Dante, Purgatorio, Cantos XXIX-XXX + notes
Day 105: TESS, pp. 73-80
Day 106: MP John Donne, A Hymn to God the Father, Meditations, pp. 48-52, GM Birth of the Ganges pp. 198-201, give dictation
Day 107: Dante, Purgatorio, Cantos XXXI-XXXII + notes, study dictation
Day 108: Draft exploratory essay, write dictation
Day 109: Dante, Purgatorio, Canto XXXIII + notes
Day 110: Draft exploratory essay
Day 111: MP John Donne, Death Be Not Proud, p. 53, Batter My Heart, Three-Person’d God, GM Savitri pp. 201-206, give dictation
Day 112: Dante makeup day, work on exploratory essay
Day 113: Editorial conference and revision of exploratory essay
Day 114: Revise and polish exploratory essay
Day 115: Finish and turn in exploratory essay
To be answered as short in-class essays, taking roughly 30-45 minutes each.
The student will choose four of the questions to answer.
Day 121: MP Herrick all three poems, pp. 54-56, GM Damayanti’s Choice pp. 206-209, give dictation
Day 122: Dante, Paradiso, Cantos I-II, study dictation
Day 123: Macbeth, Act I, scenes 1-4, write dictation
Day 124: Dante, Paradiso, Cantos III-IV
Day 125: TESS pp. 80-91
Day 126: MP Herbert, all three poems pp. 57-59, GM Buddhist Gautama’s Attainment pp. 209-212, give dictation
Day 127: Dante, Paradiso, Cantos V-VI, study dictation
Day 128: Macbeth, Act I, scenes 5-7, write dictation
Day 129: Dante, Paradiso, Cantos VII-VIII
Day 130: TESS pp. 91-101
Day 131: MP Milton pp. 60-65, GM “Chinese” p. xviii & In the Beginning pp. 213-215, give dictation
Day 132: Dante makeup day, pre-plan research paper, study dictation
Day 133: Macbeth, Act II, scenes 1-2,write dictation
Day 134: Dante, Paradiso, Cantos IX-X
Day 135: pre-plan research paper, revisiting the MLA Research Paper Writing Guide if needed, make up any reading
Day 136: MP Milton, pp. 66-70, GM The Weaver Maiden and the Herdsman pp. 215-217, give dictation
Day 137: Dante, Paradiso, Cantos XI-XII, study dictation
Day 138: Macbeth, Act II, scenes 3-4, write dictation
Day 139: Dante, Paradiso, Cantos XIII-XIV
Day 140: pre-plan research paper, make up any reading
Day 141: MP Milton, On His Blindness, p. 71, GM “Japanese” p. xviii & The Sun Goddess & the Storm God pp. 219-222, give dictation
Day 142: Dante, Paradiso, Cantos XV-XVI, study dictation
Day 143: Macbeth, Act III, scenes 1-3, write dictation
Day 144: Dante, Paradiso, Cantos XVII-XVIII
Day 145: pre-plan research paper, make up any reading
Day 146: MP Richard Crashaw, both poems, pp. 72-73, GM The First People pp. 222-224, give dictation
Day 147: Dante makeup day, study dictation
Day 148: Macbeth, Act III, scenes 4-6, write dictation
Day 149: Dante, Paradiso, Cantos XIX-XX
Day 150: begin work on research paper
Day 151: MP Lovelace, both poems, pp. 74-75, GM “Polynesian” pp. xix-xx & In the Beginning pp. 225-226, give dictation
Day 152: Dante, Paradiso, Cantos XXI-XXII, study dictation
Day 153: Macbeth, Act IV, write dictation
Day 154: Dante, Paradiso, Cantos XXIII-XXIV
Day 155: research paper
Day 156: MP Pilgrim’s Progress, pp. 76-84, GM Ma-Ui the Fire-Bringer pp. 226-232, give dictation
Day 157: Dante, Paradiso, Cantos XXV-XXVI, study dictation
Day 158: Macbeth, Act V, scenes 1-4, write dictation
Day 159: Dante, Paradiso, Cantos XXVII-XXVIII
Day 160: begin drafting research paper
Day 161: MP Pilgrim’s Progress, pp. 84-95, GM How Ma-ui Strove pp. 232-233, give dictation
Day 162: Dante, Paradiso, Cantos XXIX-XXX, study dictation
Day 163: Macbeth, Act V, scenes 5-8, write dictation
Day 164: Dante, Paradiso, Cantos XXXI-XXXII
Day 165: draft research paper
Day 166: GM Pe-le I pp. 233-238, research paper, give dictation
Day 167: Dante, Paradiso, Canto XXXIII, study dictation
Day 168: write dictation, make up any reading, draft research paper
Day 169: make up any reading, draft research paper
Day 170: draft research paper
Day 171: GM Pe-le II-III pp. 238-243, conference about research paper
Day 172: revise research paper
Day 173: conference about revised research paper
Day 174: final revision of research paper
Day 175: final revision of research paper, turn in research paper
To be answered as short in-class essays, taking roughly 30-45 minutes each.
The student will choose four of the questions to answer.
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